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1 interior architecture
- interior architecture
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Англо-русский строительный словарь. — М.: Русский Язык. С.Н.Корчемкина, С.К.Кашкина, С.В.Курбатова. 1995.
Англо-русский словарь строительных терминов > interior architecture
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2 interior architecture
architecture d’intérieur fDictionary of Engineering, architecture and construction > interior architecture
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3 interior architecture
Строительство: архитектура интерьера -
4 interior architecture
• архитектура на интериораEnglish-Bulgarian polytechnical dictionary > interior architecture
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5 interior architecture
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6 architecture
- architecture
- nархитектура
- baroque architecture
- church architecture
- civil architecture
- commercial architecture
- functional architecture
- general architecture
- Greek architecture
- interior architecture
- Islamic architecture
- landscape architecture
- Medieval architecture
- military architecture
- modern architecture
- municipal architecture
- Near Eastern architecture
- organic architecture
- plug-in architecture
- religious architecture
- Renaissance architecture
- Romanesque architecture
- rural architecture
- school architecture
- town architecture
- transitional architecture
- vernacular architecture
Англо-русский строительный словарь. — М.: Русский Язык. С.Н.Корчемкина, С.К.Кашкина, С.В.Курбатова. 1995.
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7 interior
1. n внутренность; внутренняя сторона, часть; пространство внутриinterior decor — внутреннее оформление, внутренняя отделка
2. n внутренний вид помещения, интерьер3. n внутренняя часть, внутренние, глубинные районы4. n воен. глубокий тыл5. n внутренние дела; внутренняя жизнь6. n книжн. внутренний мир, внутренняя сущность7. a внутренний, расположенный в глубине страны; удалённый от моряinterior city — город, расположенный в глубине страны
8. a внутренний, касающийся внутренних дел государства9. a внутренний, личный, частныйСинонимический ряд:1. inside (adj.) central; gut; indoor; inner; inside; internal; intestine; intimate; intrinsic; inward; toward the interior; upriver; visceral; viscerous2. area (noun) area; compass; expanse3. inner part (noun) center; centre; core; heart; indoors; inner part; marrow; nucleus; pith4. inside (noun) inside; inward; inwards; withinАнтонимический ряд:exterior; external; outside -
8 architecture
архитектура; строительное искусство, зодчество- ancient architecture - arcuated architecture - artistically full-valued architecture - Byzantine architecture - civil architecture - classic architecture - commemorative architecture - domestic architecture - domical architecture - Gothic architecture - Greek architecture - Hellenic architecture - industrial architecture - landscape architecture - medieval architecture - modern architecture - national architecture - neoclassic architecture - palatial architecture - pointed architecture - pseudo-classic architecture - Renaissance architecture - secular architecture - vertical accent architecture* * *архитектура- baroque architecture
- church architecture
- civil architecture
- commercial architecture
- functional architecture
- general architecture
- Greek architecture
- interior architecture
- Islamic architecture
- landscape architecture
- Medieval architecture
- military architecture
- modern architecture
- municipal architecture
- Near Eastern architecture
- organic architecture
- plug-in architecture
- religious architecture
- Renaissance architecture
- Romanesque architecture
- rural architecture
- school architecture
- town architecture
- transitional architecture
- vernacular architecture -
9 architecture
general architecture — общая архитектура, архитектура зданий
plug-in architecture — архитектура, основанная на использовании пространственных блоков
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10 interior
1. внутренность; интерьер2. внутренняя часть3. внутренний -
11 interior
interior [ɪn'tɪərɪə(r)]1 noun∎ Politics the French Minister of the Interior le ministre français de l'Intérieur;∎ Politics Secretary/Department of the Interior = ministre/ministère chargé de l'administration des domaines et des parcs nationaux aux États-Unisintérieur►► Mathematics interior angle angle m interne;interior decoration décoration f (d'intérieurs);interior decorator décorateur (trice) m,f (d'intérieurs);interior design architecture f d'intérieurs;interior designer architecte mf d'intérieurs;interior doors portes fpl intérieures;Literature interior monologue monologue m intérieur;Television & Cinema interior shot intérieur m, scène f d'intérieur;Cars interior trim habillage m intérieur -
12 interior
interior [ɪnˈtɪərɪər]1. adjective2. noun• Secretary/Department of the Interior (US) ministre/ministère de l'Environnement chargé des Parcs nationaux3. compounds* * *[ɪn'tɪərɪə(r)] 1.1) ( inside) intérieur ma Vermeer interior — Art une scène d'intérieur de Vermeer
2) (of country, continent) intérieur m2.Secretary/Department of the Interior — US Politics ministre m/ministère m de l'Intérieur
1) [wall, paintwork] intérieur2) Cinema, Television [shot] en intérieur; [scene] d'intérieur3) ( inner) [motive, impulse] intérieur -
13 interior design
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14 interior design
Dictionary of Engineering, architecture and construction > interior design
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15 environmental sustainable architecture
экологически устойчивая архитектура
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[ http://www.eionet.europa.eu/gemet/alphabetic?langcode=en]EN
environmental sustainable architecture
Environmentally friendly architecture is based on the following five principles: 1) healthful interior environment; 2) energy efficiency; 3) ecologically benign materials; 4) environmental form; 5) good design. (Source: ARCH)
[http://www.eionet.europa.eu/gemet/alphabetic?langcode=en]Тематики
EN
DE
FR
- architecture "durable"
Англо-русский словарь нормативно-технической терминологии > environmental sustainable architecture
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16 Jeanneret, Charles-Edouard (Le Corbusier)
SUBJECT AREA: Architecture and building[br]b. 6 October 1887 La Chaux-de-Fonds, Switzerlandd. 27 August 1965 Cap Martin, France[br]Swiss/French architect.[br]The name of Le Corbusier is synonymous with the International style of modern architecture and city planning, one utilizing functionalist designs carried out in twentieth-century materials with modern methods of construction. Charles-Edouard Jeanneret, born in the watch-making town of La Chaux-de-Fonds in the Jura mountain region, was the son of a watch engraver and dial painter. In the years before 1918 he travelled widely, studying building in many countries. He learned about the use of reinforced concrete in the studio of Auguste Perret and about industrial construction under Peter Behrens. In 1917 he went to live in Paris and spent the rest of his life in France; in 1920 he adopted the name of Le Corbusier, one derived from that of his ancestors (Le Corbesier), and ten years later became a French citizen.Le Corbusier's long working life spanned a career divided into three distinct parts. Between 1905 and 1916 he designed a number of simple and increasingly modern houses; the years 1921 to 1940 were ones of research and debate; and the twenty years from 1945 saw the blossoming of his genius. After 1917 Le Corbusier gained a reputation in Paris as an architect of advanced originality. He was particularly interested in low-cost housing and in improving accommodation for the poor. In 1923 he published Vers une architecture, in which he planned estates of mass-produced houses where all extraneous and unnecessary features were stripped away and the houses had flat roofs and plain walls: his concept of "a machine for living in". These white boxes were lifted up on stilts, his pilotis, and double-height living space was provided internally, enclosed by large areas of factory glazing. In 1922 Le Corbusier exhibited a city plan, La Ville contemporaine, in which tall blocks made from steel and concrete were set amongst large areas of parkland, replacing the older concept of city slums with the light and air of modern living. In 1925 he published Urbanisme, further developing his socialist ideals. These constituted a major reform of the industrial-city pattern, but the ideas were not taken up at that time. The Depression years of the 1930s severely curtailed architectural activity in France. Le Corbusier designed houses for the wealthy there, but most of his work prior to 1945 was overseas: his Centrosoyus Administration Building in Moscow (1929–36) and the Ministry of Education Building in Rio de Janeiro (1943) are examples. Immediately after the end of the Second World War Le Corbusier won international fame for his Unité d'habitation theme, the first example of which was built in the boulevard Michelet in Marseille in 1947–52. His answer to the problem of accommodating large numbers of people in a small space at low cost was to construct an immense all-purpose block of pre-cast concrete slabs carried on a row of massive central supports. The Marseille Unité contains 350 apartments in eight double storeys, with a storey for shops half-way up and communal facilities on the roof. In 1950 he published Le Modular, which described a system of measurement based upon the human male figure. From this was derived a relationship of human and mathematical proportions; this concept, together with the extensive use of various forms of concrete, was fundamental to Le Corbusier's later work. In the world-famous and highly personal Pilgrimage Church of Notre Dame du Haut at Ronchamp (1950–5), Le Corbusier's work was in Expressionist form, a plastic design in massive rough-cast concrete, its interior brilliantly designed and lit. His other equally famous, though less popular, ecclesiastical commission showed a contrasting theme, of "brutalist" concrete construction with uncompromisingly stark, rectangular forms. This is the Dominican Convent of Sainte Marie de la Tourette at Eveux-sur-l'Arbresle near Lyon, begun in 1956. The interior, in particular, is carefully worked out, and the lighting, from both natural and artificial sources, is indirect, angled in many directions to illuminate vistas and planes. All surfaces are carefully sloped, the angles meticulously calculated to give optimum visual effect. The crypt, below the raised choir, is painted in bright colours and lit from ceiling oculi.One of Le Corbusier's late works, the Convent is a tour de force.[br]Principal Honours and DistinctionsHonorary Doctorate Zurich University 1933. Honorary Member RIBA 1937. Chevalier de la Légion d'honneur 1937. American Institute of Architects Gold Medal 1961. Honorary Degree University of Geneva 1964.BibliographyHis chief publications, all of which have been numerously reprinted and translated, are: 1923, Vers une architecture.1935, La Ville radieuse.1946, Propos d'urbanisme.1950, Le Modular.Further ReadingP.Blake, 1963, Le Corbusier: Architecture and Form, Penguin. R.Furneaux-Jordan, 1972, Le Corbusier, Dent.W.Boesiger, 1970, Le Corbusier, 8 vols, Thames and Hudson.——1987, Le Corbusier: Architect of the Century, Arts Council of Great Britain.DYBiographical history of technology > Jeanneret, Charles-Edouard (Le Corbusier)
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17 Vitruvius Pollio
SUBJECT AREA: Architecture and building[br]b. early first century BCd. c. 25 BC[br]Roman writer on architecture and engineering subjects.[br]Nothing is known of Vitruvius apart from what can be gleaned from his only known work, the treatise De architectura. He seems to have been employed in some capacity by Julius Caesar and continued to serve under his heir, Octavianus, later Emperor Augustus, to whom he dedicated his book. It was written towards the end of his life, after Octavianus became undisputed ruler of the Empire by his victory at Actium in 31 BC, and was based partly on his own experience and partly on earlier, Hellenistic, writers.The De architectura is divided into ten books. The first seven books expound the general principles of architecture and the planning, design and construction of various types of building, public and domestic, including a consideration of techniques and materials. Book 7 deals with interior decoration, including stucco work and painting, while Book 8 treats water supply, from the location of sources to the transport of water by aqueducts, tunnels and pipes. Book 9, after a long and somewhat confused account of the astronomical theories of the day, describes various forms of clock and sundial. Finally, Book 10 deals with mechanical devices for handling building materials and raising and pumping water, for which Vitruvius draws on the earlier Greek authors Ctesibius and Hero.Although this may seem a motley assembly of subjects, to the Roman architect and builder it was a logical compendium of the subjects he was expected to know about. At the time, Vitruvius' rigid rules for the design of buildings such as temples seem to have had little influence, but his accounts of more practical matters of building materials and techniques were widely used. His illustrations to the original work were lost in antiquity, for no later manuscript includes them. Through the Middle Ages, manuscript copies were made in monastic scriptoria, although the architectural style in vogue had little relevance to those in Vitruvius: these came into their own with the Italian Renaissance. Alberti, writing the first great Renaissance treatise on architecture from 1452 to 1467, drew heavily on De architectura; those who sought to revive the styles of antiquity were bound to regard the only surviving text on the subject as authoritative. The appearance of the first printed edition in 1486 only served to extend its influence.During the sixteenth and seventeenth centuries, Vitruvius was used as a handbook for constructing machines and instruments. For the modern historian of technology and architecture the work is a source of prime importance, although it must be remembered that the illustrations in the early printed editions are of contemporary reproductions of ancient devices using the techniques of the time, rather than authentic representations of ancient technology.[br]BibliographyOf the several critical editions of De architectura there are the Teubner edition, 1899. ed. V.Rose, Leipzig; the Loeb Classical Library edition, 1962, ed. F.Granger, London: Heinemann, (with English trans. and notes); and the Collection Guillaume Budé with French trans. and full commentary, 10 vols, Paris (in progress).Further ReadingApart from the notes to the printed editions, see also: H.Plommer, 1973, Vitruvius and Later Roman Building Manuals, London. A.G.Drachmann, 1963, The Mechanical Technology of Greek and Roman Antiquity Copenhagen and London.S.L.Gibbs, 1976, Greek and Roman Sundials, New Haven and London.LRD -
18 Jenney, William Le Baron
[br]b. 25 September 1832 Fairhaven, Massachusetts, USAd. 15 June 1907 Los Angeles, California, USA[br]American architect and engineer who pioneered a method of steel-framed construction that made the skyscraper possible.[br]Jenney's Home Insurance Building in Chicago was completed in 1885 but demolished in 1931. It was the first building to rise above ten to twelve storeys and was possible because it did not require immensely thick walls on the lower storeys to carry the weight above. Using square-sectioned cast-iron wall piers, hollow cylindrical cast-iron columns on the interior and, across these, steel and cast-iron beams and girders, Jenney produced a load-bearing metal framework independent of the curtain walling. Beams and girders were united by ties as well as being bolted to the vertical members, so providing a strong framework to take the building load. Jenney went on to build in Chicago the Second Leiter Building (1889–91) and, in 1891, the Manhattan Building. He played a considerable part in the planning of the 1893 Chicago World's Fair. Jenney is accepted as having been the founder of the Chicago school of architecture, and he trained many of the later noted architects and builders of the city, such as William Holabird, Martin Roche and Louis Sullivan.[br]Further ReadingA.Woltersdorf, 1924, "The father of the skeleton frame building", Western Architecture 33.F.A.Randall, 1949, History of the Development of Building Construction in Chicago, Urbana: University of Illinois Press.C.Condit, 1964, The Chicago School of Architecture: A History of Commercial and Public Building in the Chicago Area 1875–1925, Chicago: University of Chicago Press.DYBiographical history of technology > Jenney, William Le Baron
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19 Soane, Sir John
SUBJECT AREA: Architecture and building[br]b. 20 September 1753 Whitchurch, Englandd. 20 January 1837 London, England[br]English architect whose highly personalized architectural style foreshadowed the modern architecture of a century later.[br]Between 1777 and 1780 Soane studied in Italy on a Travelling Scholarship, working in Rome but also making extensive excursions further south to Paestum and Sicily to study the early and more severely simple Greek temples there.His architectural career began in earnest with his appointment as Surveyor to the Bank of England in 1788. He held this post until 1833 and during this time developed his highly individual style, which was based upon a wide range of classical sources extending from early Greek to Byzantine themes. His own work became progressively more linear and austere, his domes and arches shallower and more segmental. During the 1790s and early 1800s Soane redesigned several halls in the Bank, notably the Bank Stock Office, which in 1791 necessitated technological experimentation.The redesigning was required because of security problems which limited window openings to high-level positions and a need for fireproof construction because the site was so restricted. Soane solved the difficulties by introducing light through lunettes set high in the walls and through a Roman-style oculus in the centrally placed shallow dome. He utilized hollow terracotta pots as a lightweight material in the segmental vaulting.Sadly, the majority of Soane's work in the Bank interior was lost in the rebuilding during the 1930s, but Soane went on to develop his architectural style in his houses and churches as well as in a quantity of public buildings in Whitehall and Westminster.[br]Principal Honours and DistinctionsKnighted 1831. Fellow Society of Antiquaries 1795. RA 1802. Royal Academy Professor of Architecture 1806. FRS 1821.Further ReadingSir John Summerson, 1952, Sir John Soane, 1753–1837, Art and Technics. Dorothy Stroud, 1961, The Architecture of Sir John Soane, Studio.DY -
20 Perret, Auguste
[br]b. 12 February 1874 Ixelles, near Brussels, Belgiumd. 26 February 1954 Le Havre (?), France[br]French architect who pioneered and established building design in reinforced concrete in a style suited to the modern movement.[br]Auguste Perret belonged to the family contracting firm of A. \& G.Perret, which early specialized in the use of reinforced concrete. His eight-storey building at 25 bis Rue Franklin in Paris, built in 1902–3, was the first example of frame construction in this material and established its viability for structural design. Both ground plan and façade are uncompromisingly modern, the simplicity of the latter being relieved by unobtrusive faience decoration. The two upper floors, which are set back, and the open terrace roof garden set a pattern for future schemes. All of Perret's buildings had reinforced-concrete structures and this was clearly delineated on the façade designs. The concept was uncommon in Europe at the time, when eclecticism still largely ruled, but was derived from the late nineteenth-century skyscraper façades built by Louis Sullivan in America. In 1905–6 came Perret's Garage Ponthieu in Paris; a striking example of exposed concrete, it had a central façade window glazed in modern design in rich colours. By the 1920s ferroconcrete was in more common use, but Perret still led the field in France with his imaginative, bold use of the material. His most original structure is the Church of Notre Dame at Le Raincy on the outskirts of Paris (1922–3). The imposing exterior with its tall tower in diminishing stages is finely designed, but the interior has magnificence. It is a wide, light church, the segmented vaulted roof supported on slender columns. The whole structure is in concrete apart from the glass window panels, which extend the full height of the walls all around the church. They provide a symphony of colour culminating in deep blue behind the altar. Because of the slenderness of the columns and the richness of the glass, this church possesses a spiritual atmosphere and unimpeded sight and sound of and from the altar for everyone. It became the prototype for churches all over Europe for decades, from Moser in prewar Switzerland to Spence's postwar Coventry Cathedral.In a long working life Perret designed buildings for a wide range of purposes, adhering to his preference for ferroconcrete and adapting its use according to each building's needs. In the 1940s he was responsible for the railway station at Amiens, the Atomic Centre at Saclay and, one of his last important works, the redevelopment after wartime damage of the town centre of Le Havre. For the latter, he laid out large open squares enclosed by prefabricated units, which display a certain monotony, despite the imposing town hall and Church of St Joseph in the Place de L'Hôtel de Ville.[br]Principal Honours and DistinctionsPresident des Réunions Internationales des Architectes. American Society of the French Legion of Honour Gold Medal 1950. Elected after the Second World War to the Institut de France. First President of the International Union of Architects on its creation in 1948. RIBA Royal Gold Medal 1948.Further ReadingP.Blater, 1939, "Work of the architect A.Perret", Architektura SSSR (Moscow) 7:57 (illustrated article).1848 "Auguste Perret: a pioneer in reinforced concrete", Civil Engineers' Review, pp.296–300.Peter Collins, 1959, Concrete: The Vision of a New Architecture: A Study of Auguste Perret and his Precursors, Faber \& Faber.Marcel Zahar, 1959, D'Une Doctrine d'Architecture: Auguste Perret, Paris: Vincent Fréal.DY
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